[First Edition] COSMETICA MODERNA - PRODOTTI DI BELLEZZA GATTEFOSSE RENE' MAURICE [Used - Very good] [Hardcover]

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RARA PRIMA EDIZIONE DI QUESTO MANUALE HOEPLI DEDICATO ALLA COSMETICA E AI PRODOTTI DI BELLEZZA. LEGATURA EDITORIALE RIGIDA DI COLORE GIALLO, VOLUME IN 16°, pp.(XII)390(2). PRIMA TRADUZIONE ITALIANA E NOTE DI A.FAYAUD. CON NUMEROSE RICETTE DI PREPARAZIONE DEI PRODOTTI DI BELLEZZA. **** sporadiche fioriture nelle pagine, per il resto ottima copia

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[First Edition] Christ in Concrete Pietro Di Donato [Used - Very good] [Hardcover] [First Edition] Christ in Concrete Pietro Di Donato [Used - Very good] [Hardcover] 55.18 CAD First Edition, First Printing. Published by Bobbs-Merrill Co, 1939. Octavo. Hardcover. Book is very good with toning and light spotting. Dust jacket is very good with discolorations, tear, stains and shelf/edgewear.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.
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[First Edition] MAL OCCHIO (EVIL EYE) THEUNDERSIDE OF VISION Di Stasi, Lawrence [Used - Very good] [Hardcover] [First Edition] MAL OCCHIO (EVIL EYE) THEUNDERSIDE OF VISION Di Stasi, Lawrence [Used - Very good] [Hardcover] 66.18 CAD Boards (HB) in very good condition with small ding, back left edge of cover some light foxing to page edges and owners blind stamp title page. Dust jacket in very good minus condition with some light soiling and staining to edges. Fascinating book on The Evil Eye and it's origins. Contains the rituals and ceremonies, especially the Italian, to rid one of the curse. 159 pages with photos and illustrations.
[Signed] [First Edition] Pio XII Eugenio Pacelli - Attualita di un Papa inattuale D'Orazi, Lucio [Used - Very good] [Hardcover] [Signed] [First Edition] Pio XII Eugenio Pacelli - Attualita di un Papa inattuale D'Orazi, Lucio [Used - Very good] [Hardcover] 62.77 CAD hardback, quarto, Italian language publication in an edition limited to 1500 copies of which this is numbered 1474, signed by the author. The binding remains tight and aside from a brief gift inscription to a previous owner, the text is clean and unmarked, housed in a part faded brown suede covered slipcase, b&w illustrations, 304pp
[First Edition] Le Monete Dei Dogi Di Venezia (The Coinage of the Doges of Venice) Guerrato, Sergio translated by Paul Munro-Walker; Jennifer and [First Edition] Le Monete Dei Dogi Di Venezia (The Coinage of the Doges of Venice) Guerrato, Sergio translated by Paul Munro-Walker; Jennifer and 210.18 CAD Hardback bound in gray boards with gilt titles with dust jacket and slipcase. No defects to note on the book or the dust jacket. Dust jacket now protected in archival jacket cover. Slipcase has been taped repaired. Book covers the ancient coins issued in Venice. Coins are presented in chronological catalog of Doge's issues. Photos of the coins with descriptions in Italian and English. 185 pages including a Chronological Index of the Coins. Size: 4to - over 9¾ - 12" tall
[First Edition] Exposition DI-MACCIO: Genie de la peinture fantastique de France 1992-1993 / ???????????? : ??????????? [Gerard Di-Maccio] P. Brami [First Edition] Exposition DI-MACCIO: Genie de la peinture fantastique de France 1992-1993 / ???????????? : ??????????? [Gerard Di-Maccio] P. Brami 420.18 CAD Text in French and Japanese. 135pp. 4to, bewn binding in printed glossy hardcovers, original acetate wrapper with gilt lettering. Exhibition catalog of new works from the French painter who gained a massive following in Japan. 'L'?uvre de DI-MACCIO a été présentée pour la première fois au Japon en 1988. La manifestation a fait sensation, et beaucoup d'admirateurs de l'artiste ont fait apparition dans ce pays. C'est á la demande de ces admirateurs passionnés que nous présentons cette nouvelle exposition avec 70 pièces sélectionnées parmi les ?uvres qu'il a faites entre 1977 et 1991, y compris le grand triptyque.' (From the Introduction).
[First Edition] Rosso Fiorentino, leggiadra maniera e terribilità di cose stravaganti Natali, Antonio [Used - Fine] [Hardcover] [First Edition] Rosso Fiorentino, leggiadra maniera e terribilità di cose stravaganti Natali, Antonio [Used - Fine] [Hardcover] 110.18 CAD Testo principale in italiano e testo secondario in inglese. Principal text in Italian and secondary text in English, including captions in both languages. Presumed first edition. Printed and bound in Italy, October 2006. Published 31 May 2007. Published by Silvana Editoriale in conjunction with Collezione d'arte A. Menarini. Approx. 13 x 9.5 inches. Red cloth hardboards, with crisp gilt-stamped lettering to the spine. Unbumped spine head and tail, and sharp corners except for gently bumped lower corner of the front board. Exceptionally clean binding. Text block firmly bound. With 271 numbered pages on semi-glossy stock. Featuring numerous full-color plates, many of which are full-page. Glossy full-color, pictorial dust jacket; note, however, edge wear/wrinkling along the top edge of the DJ front and the DJ spine evenly sunned. Almost certainly unread. A Fine copy in a Very Good Minus DJ. 4 lbs. 7 oz. Giovanni Battista di Iacopo di Rossi [1494-1540], known as Rosso Fiorentino, is considered one of the foremost exponents of Italian Mannerism. From the very first, highly significant works commissioned of him, his rebellious impulse against the constraints of a classicism then in crisis is clearly evident. An aggressive and iconoclastic spirit, Rosso Fiorentino made a fundamental contribution in his subsequent works to the richest and most disquieting current of the Maniera, proposing compositions that were tormented, convulsive, and animated by an expressionism bordering on caricature. The author sketches a personal profile of him within the pages of this volume, offering numerous insights into the art of one of the most audacious and poetic creators in the history of Western art. Giovanni Battista di Iacopo di Rossi detto Rosso Fiorentino (Firenze 1494 Parigi 1540) è considerato uno dei massimi interpreti del manierismo italiano. Sin dalle prime, importantissime opere che gli vennero commissionate risulta evidente il suo slancio ribelle alle costrizioni di un classicismo ormai in crisi. Spirito aggressivo e iconoclasta, Rosso Fiorentino diede nelle opere successive un contributo fondamentale alla corrente più ricca e inquietante della maniera, proponendo composizioni tormentate, convulse e animate da un espressionismo tale da rasentare la caricatura. L'autore traccia nelle pagine di questo volume un suo personale profilo, offrendo numerosi spunti di riflessione sull'arte di uno dei più spregiudicati e poetici artefici della storia artistica dell'Occidente.
[Signed] [First Edition] Modena 20 paessagi urbani di Franco Fontana Franco Fontana [Used - Near fine] [Hardcover] [Signed] [First Edition] Modena 20 paessagi urbani di Franco Fontana Franco Fontana [Used - Near fine] [Hardcover] 75.13 CAD This is a large format book approximately 14 inches by 20 inches. A beautiful collection of photographs which is signed, inscribed and dated by the artist in Modena, Italy in December 1982. Fine book, no dust jacket as issued.
[Signed] [First Edition] Rime di Agnolo del Favilla nelle reali nozze de serenissimi principi di Toscana Cosimo Medici e Maria Maddalena d'Austria FES [Signed] [First Edition] Rime di Agnolo del Favilla nelle reali nozze de serenissimi principi di Toscana Cosimo Medici e Maria Maddalena d'Austria FES 4435.18 CAD Bound in early 20th c. quarter red Morocco and marbled boards (small repairs to head and foot of spine). A fine copy with scattered mild spotting. Complete with the folding plate of the banquet (signed "Mattheus Greuter excudit".) Two lines have been erased from the plate, as is the case in all copies I have examined. Manuscript foliation at head of first leaf. With the combined woodcut arms of Cosimo II and Maria Magdalena. Small woodcut of the Laocoön on leaf B4. Extremely rare. 1 copy traced in North America (Getty). First edition of these verses composed for a banquet, held in the Palazzo Vecchio in Florence on 19 October 1608, celebrating the wedding of Cosimo II de' Medici (1590-1621) and Maria Magdalena, Archduchess of Austria (1589-1631). The songs are sung by the Nymph of the Arno, possibly the singer, dressed as a nymph, who sat upon a giant conch shell at the left-hand side of the dais -upon which the bride's banquet table was situated- with two musicians at her feet (one playing a harp). The engraved caption of the plate indicates which guests were seated at the bride's table, and the positions of the musicians, singers, and performers. There are musicians seated on suspended clouds and noble children dressed as soldiers performing mock jousts; on either side of the dais are two floats, one with the singing nymph mentioned above, the other with Apollo, also singing and accompanied by musicians, seated in a chariot upon a cloud. The plate was engraved by Matteus Greuter (1564/6-1638) "Questa stampa illustra il banchetto nuziale che ebbe luogo il 19 ottobre 1608 a Firenze nel Salone dei Cinquecento a Palazzo Vecchio per le nozze di Cosimo dei Medici con Maria Maddalena d'Austria. La tavola incisa dal Greuter era inserita nell'opera del De Favilla "Rime" ma si trova anche nell'opera di C. Rinuccini "Descrizione delle feste fatte nelle reali nozze de' Serenissimi Principi di Toscana D. Cosimo de' Medici e Maria Maddalena Arciduchessa d'Austria", Firenze, 1608 (pp. 21-25) nella quale è dettagliatamente descritto lo svolgimento del banchetto."(Catalogo generale dei Beni Culturali, 0900344206) Full caption: Convito / fatto in Fiorenza alle nozze de i Ser. mi sposi Cosimo de Med. gr. Pr. di Tosca et Maria Mad. Arcid.sa d'Austr.a alli 19 8bre / 1608 / A. la Serenissima sposa in mezo la tavola sotto il Baldacchino [.] et a tutte l'altr tavole sedevano Signore et Gentildone, et li Signori in piedi servivano / B. tavole basse. / C. tavole alte / D. tavole più alte / E. tavole ancora più alte / F. tavole di Credenza / G. Apollo nel carro sopra una nuvola cantado et a piedi suoi / doi sonatori / H. una ninfa cantando, in una Concha marina, et doi sonattori / sedendo a piedi suoi. / I. fanciulli nobili armati, colle lancie giostrando a piede / K. la fontana. M. Musici d'incirca 200 L. Musici in una nuvola. N. il Theatro per li nobili et forestieri chivi sono per vedere. / Ser. mo Arciduca Ill. mo C. Farnesi Ill. mo C. Sforza Ser. ma Gr Duchessa Ser....
[Signed] [First Edition] Scritti di Economia e Finanza [inscritto dall'autore] Scalfati, Stanislao G. [Used - Very good] [Hardcover] [Signed] [First Edition] Scritti di Economia e Finanza [inscritto dall'autore] Scalfati, Stanislao G. [Used - Very good] [Hardcover] 110.18 CAD Inscribed and signed by Scalfati on the title page, date 1927. Leather spine with brown cloth boards, 20 x 13.5 cm, 608 clean pp., tight. Text in Italian.
[First Edition] I finali di Morphy. Pubblicazione della Nuova Rivista degli Scacchi Paul Charles Morphy (1937-1884) from the library of Lothar Schmid [First Edition] I finali di Morphy. Pubblicazione della Nuova Rivista degli Scacchi Paul Charles Morphy (1937-1884) from the library of Lothar Schmid 260.18 CAD 40+1 leaf of solutions pages with diagrams. Sixteenmo (5" x 3 1/2") bound in quarter black leather with gilt lettering to spine over blue boards. From the libraries of Lothar Schmid and Andrés Fernandez Pozo (Linde - No. 2178; Chicco / Sanvito, Lineamenti ., 554) First edition. I finali di Morphy is an important 19th-century chess work, published in Italy in 1879 as a supplement and special edition of the renowned Nuova Rivista degli Scacchi. This edition contains 32 endgame positions by Paul Morphy, each described on a single page featuring a diagram, the names of the players, and the task. This volume collects and analyzes the endgame phases of games played by Paul Morphy, the legendary American champion considered the strongest player of his era. Although Morphy was renowned for his overwhelming combinational attacks and opening sacrifices, he also possessed masterful endgame technique?qualities this publication aimed to share with Italian enthusiasts. As it was a limited edition from the late 19th century, the very few surviving original copies are now housed in prestigious private collections (such as the renowned DeLucia Chess Collection) or in the rare book sections of specialized libraries. Andrés Fernández Pozo (1845-1911) was a prominent Spanish-Cuban pharmacist and chess player, historically recognized as the most important figure in Asturian chess during the 19th century. He was born in Matanzas, Cuba, into a wealthy family of *indianos*?emigrants who had returned from the Americas?of Spanish origin. In 1863, he moved to Spain, where he studied pharmacy in Madrid before settling there permanently. He balanced his scientific profession with a prolific competitive chess career, leaving a lasting mark on the sporting history of Asturias. Lothar Maximilian Lorenz Schmid (10 May 1928 - 18 May 2013) was a German chess grandmaster. He was born in Radebeul near Dresden into a family who were the co-owners of the Karl May Press, which published the German Karl May adventure novels. He was best known as the chief arbiter at several World Chess Championship matches, in particular the 1972 encounter between Bobby Fischer and Boris Spassky at Reykjavic. He was also an avid collector of chess books and paraphernalia. It was reputed that he owned the largest known private chess library in the world, as well as a renowned collection of chess art, chess boards and chess pieces from around the globe. Condition: Lothar Schmid's book plate to front endpaper. Name label of the chess writer and correspondence player Andrés Fernandez Pozo to front pastedown. Original front wrapper bound in. Interior toned with occasional spotting. Binding bumped and rubbed at the edges and corners else very good.
[First Edition] FRA PUBBLICO E ATTORI - Il libro degli aneddoti: curiosità del teatro di prosa RASI LUIGI [Used - Very good] [Hardcover] [First Edition] FRA PUBBLICO E ATTORI - Il libro degli aneddoti: curiosità del teatro di prosa RASI LUIGI [Used - Very good] [Hardcover] 58.99 CAD PRIMA EDIZIONE. LEGATURA IN MEZZA TELA VERDE CON TITOLI IN ORO AL DORSO. VOLUME IN 16°, pp.298. Con numerose illustrazioni in bianco e nero. Timbro di appartenenza alle prime pagine. "Fra pubblico e attori" è una sezione del "Libro degli aneddoti: curiosità del teatro di prosa" pubblicato nel 1898 da Luigi Rasi (1852-1918), attore, scrittore e critico italiano. In quest'opera, Rasi raccoglie curiosità, aneddoti e memorie legate al teatro di prosa, descrivendo la vita dietro le quinte e il rapporto tra artisti e spettatori, arricchito da episodi comici e tragici. Nel capitolo specifico o nelle narrazioni simili, Rasi esplora l'atmosfera che separa, ma anche unisce, la sala e il palcoscenico, focalizzandosi su aneddoti del mondo teatrale. Rasi è stato una figura chiave nel teatro italiano di fine '800, non solo attore ma anche insegnante (direttore della Regia scuola di recitazione di Firenze) e studioso appassionato. La sua produzione scritta, inclusi gli aneddoti, spesso mira a divulgare la cultura teatrale e a documentare la vita degli attori con uno stile divulgativo.
[First Edition] The Castle of Fratta. A novel. Translated from the Italian of 'Confessioni di un Italiano' by Lovett F. Edwards, and with [First Edition] The Castle of Fratta. A novel. Translated from the Italian of 'Confessioni di un Italiano' by Lovett F. Edwards, and with 69.92 CAD The first English-language edition, and the first with these splendid Eric Fraser illustrations, which were printed at the Chiswick Press and comprise a frontispiece and seven plates. 8vo. vi, 225pp. Quarter cloth with marbled sides, lettered and bordered in gold at the spine. The top edge lightly dust soiled, and with a shade of very light partial toning to the free endpapers. A very good copy in price-clipped pictorial dust wrapper which reproduces a variant of the frontispiece illustration, lightly dust soiled at the rear panel, with some chafing to the spine ends and to several corner tips, and with a small rectangular area of loss from the head of the rear panel. This fairly early Folio Society publication is one of the few titles issued under that imprint which is housed in a dust wrapper rather than a slipcase.